Ancient Olympic Events




Philadelphia MS2444
Side A: trainer watching wrestlers
Photograph by Maria Daniels, courtesy of The University of Pennsylvania Museum of Archaeology and Anthropology

The ancient Olympics were rather different from the modern Games. There were fewer events, and only free men who spoke Greek could compete, instead of athletes from any country. Also, the games were always held at Olympia instead of moving around to different sites every time.




Tampa 86.35
Shoulder: chariot race
Photograph by Maria Daniels, courtesy of the Tampa Museum of Art

Like our Olympics, though, winning athletes were heroes who put their home towns on the map. One young Athenian nobleman defended his political reputation by mentioning how he entered seven chariots in the Olympic chariot-race. This high number of entries made both the aristocrat and Athens look very wealthy and powerful.

Boxing


Mississippi 1977.3.68
Side B: boxers
Photograph by Maria Daniels, courtesy of the University Museums, University of Mississippi
Ancient boxing had fewer rules than the modern sport. Boxers fought without rounds until one man was knocked out, or admitted he had been beaten. Unlike the modern sport, there was no rule against hitting an opponent when he was down.
There were no weight classes within the mens' and boys' divisions; opponents for a match were chosen randomly.


Philadelphia MS2444
Side B: himantes hanging above boxer
Photograph by Maria Daniels, courtesy of The University of Pennsylvania Museum of Archaeology and Anthropology
Instead of gloves, ancient boxers wrapped leather thongs (himantes) around their hands and wrists which left their fingers free.
Plato makes fun of boxers' faces, calling them the "folk with the battered ears." Plato, Gorgias 515e.

Equestrian events



Harvard 1933.54
Side B: scene at center
Photograph by Maria Daniels, courtesy of Harvard University Art Museums

Chariot racing


Tampa 86.34
Side A: charioteer and chariot box at left
Photograph by Maria Daniels, courtesy of the Tampa Museum of Art
There were both 2-horse chariot and 4-horse chariot races, with separate races for chariots drawn by foals. Another race was between carts drawn by a team of 2 mules. The course was 12 laps around the stadium track (9 miles).

Tampa 86.24
Side B: two riders
Photograph by Maria Daniels, courtesy of the Tampa Museum of Art

Riding

The course was 6 laps around the track (4.5 miles), and there were separate races for full-grown horses and foals. Jockeys rode without stirrups.
Only wealthy people could afford to pay for the training, equipment, and feed of both the driver (or jockey) and the horses. As a result, the owner received the olive wreath of victory instead of the driver or jockey.

Tampa 86.35
Shoulder: chariot race
Photograph by Maria Daniels, courtesy of the Tampa Museum of Art

Aristophanes, the comic playwright, describes the troubles of a father whose son has too-expensive tastes in horses: "Creditors are eating me up alive...and all because of this horse-plague!" (Aristophanes, Clouds l.240ff.)

Pankration


Toledo 1961.24
Side B: pankration
Photograph by Maria Daniels, courtesy of the Toledo Museum of Art
This event was a grueling combination of boxing and wrestling. Punches were allowed, although the fighters did not wrap their hands with the boxing himantes.
Rules outlawed only biting and gouging an opponent's eyes, nose, or mouth with fingernails. Attacks such as kicking an opponent in the belly, which are against the rules in modern sports, were perfectly legal.


Olympia,Stadium: View through vaulted entrance from E
Photograph courtesy of Frederick Hemans
Like boxing and wrestling, among others, this event had separate divisions for both men and boys.
The poet Xenophanes describes the pankration as "that new and terrible contest...of all holds" (Xenophanes 2)

Pentathlon




Philadelphia MS2444
Side A: trainer watching wrestlers
Photograph by Maria Daniels, courtesy of The University of Pennsylvania Museum of Archaeology and Anthropology
This was a 5-event combination of discus, javelin, jumping, running and wrestling.
Aristotle describes a young man's ultimate physical beauty: "a body capable of enduring all efforts, either of the racecourse or of bodily strength...This is why the athletes in the pentathlon are most beautiful." (Aristotle, Rhetoric 1361b)

Discus




Boston 01.8020
Tondo: discus thrower
Photograph courtesy of the Museum of Fine Arts, Boston
The ancient Greeks considered the rhythm and precision of an athlete throwing the discus as important as his strength. The discus was made of stone, iron, bronze, or lead, and was shaped like a flying saucer. Sizes varied, since the boys' division was not expected to throw the same weight as the mens'.

Javelin




Boston 98.876
Side A: athletes
From Caskey & Beazley, plate XXXVII. With permission of the Museum of Fine Arts, Boston.
The javelin was a man-high length of wood, with either a sharpened end or an attached metal point. It had a thong for a hurler's fingers attached to its center of gravity, which increased the precision and distance of a javelin's flight.


Harvard 1977.216.2244
Side B: youth with javelin, from the waist up
Photograph by Maria Daniels, courtesy of Harvard University Art Museums

Jump




Boston 01.8020
Side A: jumper
Photograph courtesy of the Museum of Fine Arts, Boston
Athletes used lead or stone jump weights (halteres) shaped like telephone receivers to increase the length of their jump. The halteres were held in front of the athlete during his ascent, and forcibly thrust behind his back and dropped during his descent to help propel his body further.




Philadelphia MS2444
Side A: diskos bag and halteres above wrestlers
Photograph by Maria Daniels, courtesy of The University of Pennsylvania Museum of Archaeology and Anthropology
Jump weights also doubled as weight lifting equipment during training.

Running




Philadelphia MS739
Main panel: runner on right
Photograph by Maria Daniels, courtesy of The University of Pennsylvania Museum of Archaeology and Anthropology
There were 4 types of races at Olympia. The stadion was the oldest event of the Games. Runners sprinted for 1 stade (192 m.), or the length of the stadium. The other races were a 2-stade race (384 m.), and a long-distance run which ranged from 7 to 24 stades (1,344 m. to 4,608 m.).
And if these races weren't enough, the Greeks had one particularly grueling event which we lack. There was also a 2 to 4-stade (384 m. to 768 m.) race by athletes in armor. This race was especially useful in building the speed and stamina that Greek men needed during their military service. If we remember that the standard hoplite armor (helmet, shield, and greaves)weighed about 50-60 lbs, it is easy to imagine what such an event must have been like.




Harvard 1972.39
Side B: hoplitodromos at left
Photograph by Maria Daniels, courtesy of Harvard University Art Museums

The Phaiacian nobles entertain the hero Odysseus by competing in athletic games: "A course was marked out for them from the turning point, and they all sped swiftly, raising the dust of the plain, but among them noble Clytoneus was far the best at running...he shot to the front and the others were left behind." (Homer, Odyssey 8.121ff.)

Wrestling




Philadelphia MS2444
Side A: trainer watching wrestlers
Photograph by Maria Daniels, courtesy of The University of Pennsylvania Museum of Archaeology and Anthropology

Like the modern sport, an athlete needed to throw his opponent on the ground, landing on a hip, shoulder, or back for a fair fall. 3 throws were necessary to win a match. Biting was not allowed, and genital holds were also illegal. Attacks such as breaking your opponent's fingers were permitted.



Olympia,Palaestra: Eastern portico from N
Photograph by Michael Bennett

In one of Aristophanes's comedies, one character recommends that another rub his neck with lard in preparation for a heated argument with an adversary. The debater replies, "Spoken like a finished wrestling coach." (Aristophanes, Knights l.490ff.)

http://www.perseus.tufts.edu/Olympics/sports.html  

Excellence and the competitive spirit

When the Persian military officer Tigranes "heard that the prize was not money but a crown [of olive], he could not hold his peace, but cried, 'Good heavens, Mardonius, what kind of men are these that you have pitted us against? It is not for money they contend but for glory of achievement!'"   Herodotus, Histories , 8.26.3





Toledo 1963.26, Attic black figure calyx krater
Side B: Athletes and trainers
Photograph by Maria Daniels, courtesy of the Toledo Museum of Art

Ancient athletes competed as individuals, not on national teams, as in the modern Games. The emphasis on individual athletic achievement through public competition was related to the Greek ideal of excellence, called arete. Aristocratic men who attained this ideal, through their outstanding words or deeds, won permanent glory and fame. Those who failed to measure up to this code feared public shame and disgrace.


Do you think, fellow citizens, that any man would ever have been willing to train for the pancratium or any other of the harder contests in the Olympic games...if the crown were given, not to the best man, but to the man who had successfully intrigued for it? No man would ever have been willing. But as it is, because the reward is rare...and because of the competition and the honor, and the undying fame that victory brings, men are willing to risk their bodies, and at the cost of the most severe discipline to carry the struggle to the end.  Aeschines, Against Ctesiphon , 179
Not all athletes lived up to this code of excellence. Those who were discovered cheating were fined, and the money was used to make bronze statues of Zeus, which were erected on the road to the stadium. The statues were inscribed with messages describing the offenses, warning others not to cheat, reminding athletes that victory was won by skill and not by money, and emphasizing the Olympic spirit of piety toward the gods and fair competition.
The earliest recorded cheater was Eupolus of Thessaly, who bribed boxers in the 98th Olympiad. Callippus of Athens bought off his competitors in the pentathlon during the 112th festival. Two Egyptian boxers, Didas and Sarapammon, were fined for fixing the outcome of their match at the 226th Olympics. All these men were immortalized as cheaters in the writer Pausanias' 2nd century A.D. guidebook to Greece, in which he describes the statues at Olympia and recounts the men's misdeeds.





Toledo 1961.26, Attic red figure kylix
Side A: boxer on near right
Photograph by Maria Daniels, courtesy of the Toledo Museum of Art

The Olympic truce

A truce (in Greek, ekecheiria, which literally means "holding of hands") was announced before and during each of the Olympic festivals, to allow visitors to travel safely to Olympia. An inscription describing the truce was written on a bronze discus which was displayed at Olympia. During the truce, wars were suspended, armies were prohibited from entering Elis or threatening the Games, and legal disputes and the carrying out of death penalties were forbidden.

Olympia: Aerial view of site and surroundings, from W
Photograph by Raymond V. Schoder, S.J., courtesy of Bolchazy-Carducci Publishers

Elis is in the northwestern part of the Peloponnese, which is the southern peninsula of mainland Greece. Because it receives more rain, Elis has better forests and pastures than the rest of Greece. The region was respected in ancient times as a holy and neutral place because of the sacred grove to Zeus, called the Altis, at Olympia.
The Olympic truce was faithfully observed, for the most part, although the historian Thucydides recounts that the Lacedaemonians were banned from participating in the Games, after they attacked a fortress in Lepreum, a town in Elis, during the truce. The Lacedaemonians complained that the truce had not yet been announced at the time of their attack. But the Eleans fined them two thousand minae, two for each soldier, as the law required.
A mina was equivalent to 100 drachmas, and one drachma was an average worker's daily wage, or the price of a sheep. Thus, the fine was a heavy one, equal to 200,000 drachmas.


Dewing 1125, silver tetradrachm (= 4 drachmas) from Macedonia
Reverse: Zeus seated on throne holding eagle and scepter
Photograph by Maria Daniels, courtesy of the Dewing Numismatic Foundation
Another international truce was enforced during the annual Mysteries, a religious rite held at the major sanctuary site of Eleusis. The truces of Olympia and Eleusis not only allowed worshippers and athletes to travel more safely; they also provided a common basis for peace among the Greeks. Lysistrata, the title character in a comic play by Aristophanes, makes this point when she tries to convince the Athenians and the Spartans to end their war.

In no uncertain terms I must reproach you,
both sides, and rightly. Don't you share a cup
at common altars, for common gods, like brothers,
at the Olympic games, Thermophylai and Delphi?
I needn't list the many, many others.
The world is full of foreigners you could fight,
but it's Greek men and cities you destroy!
    AristophanesLysistrata , 1131

The ancient athlete: amateur or professional?

Athletic training was a basic part of every Greek boy's education, and any boy who excelled in sport might set his sights on competing in the Olympics. The Olympic competition included preliminary matches or heats to select the best athletes for the final competition. Ancient writers tell the stories of athletes who worked at other jobs and did not spend all their time in training. For example, one of Alexander the Great's couriers, Philonides, who was from Chersonesus in Crete, once won the pentathlon, which included discus, javelin, long jump, and wrestling competitions as well as running. However, just as in the modern Olympics, an ancient athlete needed mental dedication, top conditioning, and outstanding athletic ability in order to make the cut.

...When Hysmon [of Elis] was still a boy he was attacked by a flux in his muscles, and it was in order that by hard exercise he might be a healthy man free from disease that he practised the pentathlon. So his training was also to make him win famous victories in the games.   Pausanias, Description of Greece , 6.3.9




Toledo 1963.28, Attic bilingual eye cup
Side A: athletic victor
Photograph by Maria Daniels, courtesy of the Toledo Museum of Art


Glaucus, the son of Demylus, was a farmer.
"The ploughshare one day fell out of the plough, and he fitted it into its place, using his hand as a hammer; Demylus happened to be a spectator of his son's performance, and thereupon brought him to Olympia to box. There Glaucus, inexperienced in boxing, was wounded... and he was thought to be fainting from the number of his wounds. Then they say that his father called out to him, 'Son, the plough touch.' So he dealt his opponent a more violent blow which... brought him the victory. "   Pausanias, Description of Greece , 6.10.1
Self-confidence was also an asset. A Libyan athlete, Eubotas, was so sure of his victory in a running event that he had his victory statue made before the Games were held. When he won, he was able to dedicate his statue on the same day.

Many athletes employed professional trainers to coach them, and they adhered to training and dietary routines much like athletes today. The Greeks debated the proper training methods. Aristotle wrote that overtraining was to be avoided, claiming that when boys trained too young, it actually sapped them of their strength. He believed that three years after puberty should be spent on other studies before a young man turned to athletic exertions, because physical and intellectual development could not occur at the same time.




Toledo 1961.26, Attic red figure kylix
Side B: javelin throwers
Photograph by Maria Daniels, courtesy of the Toledo Museum of Art

Victorious athletes were professionals in the sense that they lived off the glory of their achievement ever afterwards. Their hometowns might reward them with free meals for the rest of their lives, cash, tax breaks, honorary appointments, or leadership positions in the community. The victors were memorialized in statues and also in victory odes, commissioned from famous poets.

Did politics ever affect the ancient Games?

Politics were present at the ancient Olympics in many forms. In 365 B.C., the Arcadians and the Pisatans took over the Altis, and they presided over the 104th Olympiad the next year. When the Eleans finally regained control of Olympia, they declared the 104th Games invalid. Some valuable political deeds were recorded at Olympia. An inscription on a victory statue honored Pantarces of Elis not only for winning in the Olympic horse-races, but also for making peace between the Achaeans and the Eleans, and negotiating the release of both sides' prisoners of war.




Harvard 1933.54, Attic black figure neck amphora
Side A: scene at center; charioteer crossing finish line
Photograph by Maria Daniels, courtesy of Harvard University Art Museums


While the Olympic Games were being celebrated, Alexander had it proclaimed in Olympia that all exiles should return to their cities, except those who had been charged with sacrilege or murder. He selected the oldest of his soldiers who were Macedonians and released them from service; there were ten thousand of these. He learned that many of them were in debt, and in a single day he paid their obligations...   Diodorus Siculus, Library , 17.109.1-2

Olympia was also a place for announcing political alliances. Thucydides describes a 100-year military treaty the Athenians, Argives, Mantineans, and Eleans entered into, which was recorded in public inscriptions on stone pillars at the first three cities, and on a bronze pillar at Olympia.


The tyrant of Athens, Pisistratus, exiled Cimon, a wealthy aristocrat, blaming him for a military and political disaster. "While in exile [Cimon] happened to take the Olympic prize in the four-horse chariot...At the next Olympic games he won with the same horses, but permitted Pisistratus to be proclaimed victor, and by resigning the victory to him he came back from exile to his own property under truce."   Herodotus, Histories , 6.103.2


Toledo 1980.1022a+b, Attic black figure panel amphora
Side A: four-horse chariot
Photograph by Maria Daniels, courtesy of the Toledo Museum of Art